More Children Painted on Blue Canvas by South African Impressionist Marie Theron

I continued with this set of tiny canvasses in which I tried to capture the gentle nature of children. Their feet, hands and body language are the things that make up a child for me. I would therefore never portray facial features as it would distract attention from the child's action. Once again, my grandchildren around the age of three made the perfect models. #impressionist #southafricanimpressionist

Sea, Sun and Sand

Acrylic on Canvas by South African Impressionist Marie Theron

W: 100mm x H: 100mm x D: 5mm
6" x 6"

This work is unframed

Price

R709 or US$69

May I Touch You?

Acrylic on Canvas by South African Impressionist Marie Theron

W: 100mm x H: 100mm x D: 15mm
6" x 6"

This work is unframed

Price

R709 or US$69

View or Buy or read my CV HERE

Girl with a Cat I

Acrylic on Canvas by South African Impressionist Marie Theron

W: 100mm x H: 100mm x D: 15mm
6" x 6"

This work is unframed

Price

R709 or US$69

It can be purchased HERE

Low Tide in Zanzibar

"Kelp Gathering" by Artists of Africa Artist Marie Theron
508mm x 508mm oil on cotton wrapped canvas
$US 489

Continuing my African paintings: Do you know the West Coast where I stay? Low tide, even while being called "low" is still a dangerous phenomenon and the water will throw you onto the rocks, should you dare to enter the sea. I love my noisy home, where nights are never quiet and the large waves can be heard day and night. Of course, travelling can be so refreshing, and we were thrilled with the low, low tide at Zanzibar. You can wade in for miles to sit in the water, find a dhow, chat to locals and scrunch up your eyes because the light is so blindingly bright.

Here we observed the activity of seaweed harvesting by the Masaai women. By driving sticks into the low areas of the sea, traps are formed where the seaweed can easily be collected. Bucketfuls of the green stuff are then taken to the beach to be hung out to dry. Dry seaweed is exported to China where it is boiled into soap and shampoo.

In my painting "Kelp Harvesting", I have tried to show the endless stretch of low tide, and the blinding light that etches out the figures of workers. I did not take enough photos while I was there, but I treasure these few photos and hope you like them too. They really portray the exact mood on that tranquil island.

To view the buying guide to this painting, click HERE

Cold Water, Cold Sky

Winter arrived so suddenly that I have stopped going to !Khwa Ttu until we have warmer weather again. This is what the ocean is looking like at the moment. Every day of my life I can just go outdoors and stare at it, but from one day to the next, it never looks the same.

I hope you can see the tranquil pool in the foreground where the water meets the beach.

The Restless Ocean - completed

This is the first painting that really gave me heart palpitations. It is both restless and restful! I drag it from room to room in my house. In some areas it looks far too bright, too turquoise, and in a different location it looks serene and calm!

For the last couple of years, I have taken the sea for granted, because every window on two sides of the house have a view. Now, I cannot pass a window without really staring. Since yesterday I have picked up a lot of detail that is NOT in this painting, but will be in the next. For instance: the white foam on the summit of the wave has a shadow of its own, like snow, it is not just white. Also, there is green in the large waves, not my soft peppermint whisper of a colour, but a ferocious darkish green. There is so much to learn!

These photos show the completed painting 1000mm x 750mm. I include some details in the post too, because the seagulls lifting up from the rocky outcrop was such a delightful detail, I had to do it well. There is variation in the colours of the photos too: too much blue sky when I shot them. Our best photos are taken on overcast days.

Work in Progress

I have started a large painting of 760mm x 1000mm. The fearsome white canvas becomes quite tame as soon as it is covered with the first layer of paint! You work different muscles with the broad sweeps of the brush, though, and my upper arm is feeling somewhat stiff at the moment.

As a theme, I decided to do a larger version of my first painting of the year, so this is once again a view of the ocean close to home. The sky looks very serene and has a lot of areal perspective, so I am satisfied with that. But the waves are much too restless. I will not even touch the rocks or birds before this ocean starts "behaving"!

The second photo shows my studio with my work triangle formed with an old table and an old yellow-wood desk.